Tyler Perry, the creator of the popular Medea character and multiple sit-coms has a lot of televisions. And it’s because of one television, not in-particular, that Perry overheard a small boy crying on the news because he was kicked out of a swimming pool because of the color of his skin.
While visiting Walt Disney World, you no doubt have seen many of Disney Transportation’s buses. Most often, the marquee on the buses reads where the bus is headed, be it to a park or a resort. Sometimes you might even spot a bus whose marquee reads VIP CAST MEMBER when it is in fact porting around Disney Cast Members. In the past, you might have even seen a bus whose marquee was completely blank. And you might have also seen marquees sporting the names of Disney characters.
Stitch is the latest alumni to have the distinct honor of having his name on the Disney buses. Others have included Mickey Mouse, Donald Duck, Remy, Snow White, Ariel and more — even the Aristocats have been granted the honor. In fact, the character’s name designates the version of the very special software that runs on each of those Disney buses, a program called Magic-in-Motion.
The keystone to Magic-in-Motion is the use of Global Positioning System (GPS). Now virtually a household word, GPS allows Magic-in-Motion to perform most of its tasks — from the most mundane all the way to pie in the sky feats. On its very basic level, the GPS allows Disney Transportation to monitor the location of all of its buses in real-time. Although I won’t get into it too much here, this has proven to be a bit of a double-edged sword, even for guests.
Interestingly enough, the Disney’s Magical Express buses also have added GPS technology over the years and that’s what triggers playing the videos. As an aside, the videos have also been moved to a chip as opposed to the original DVD versions. But back to the Disney Transportation buses and the Magic-in-Motion program.
For five days at Epcot in 1999 and for an equally short time in Castaway Cay, guests from around the world had the chance to meet with one of the largest accomplishments in audio animatronic technology: the DRU-1 (Dolphin Robotics Unit). Created by Edge Innovations in partnership with Walt Disney Imagineering, DRU-1 wowed the crowds but was ultimately decided to not have the potential of being an every-day attraction in the theme parks.
Here’s a video of DRU-1 in action courtesy of his WDI show producer:
The Norway pavilion in Epcot® is pleased to host Northwestern Captain Sig Hansen, Edgar Hansen, and Matt Bradley — three of the featured stars on the popular reality series on The Discovery Channel, Deadliest Catch – for an in-park appearance July 31 – August 02, 2009. Sig, Edgar and Matt will appear inside The Puffin’s Roost, the Norway Pavilion’s merchandise location, each day. They’ll be appearing from 1:00 pm – 4:00 pm and 5:30 pm – 8:00 pm.
Fourth generation fishermen, Sig Hansen is the Captain of the Northwest, Edgar Hansen is the Deck Boss and Matt Bradley is a Deck Hand for the crab-catching vessel. Captain Sig Hansen and Edgar Hansen and Norm own and operate the Seattle, WA based Northwestern.
While I make it a hobby to track down and photograph characters, I am no autograph hound. In fact, I don’t recall ever obtaining a single Disney character autograph on purpose — until now that is. After several days on site, I needed a new way to occupy my time and when something caught my eye at The Animation of Disney shop in Disney’s Hollywood Studios, it was love at first sight. Or a new hobby anyway. There on the counter was a 9″ Vinylmation blank decked out with several character signatures. I fought the urge for a while but there was just no walking away from it, I had to try it.
So for $39.95, I walked away with a Vinylmation blank and a fine-point sharpie given to me by the cast member at the store (they really ought to sell sharpies there too). And over the next two-and-a-half days, as time allowed, I tracked down every single character I could find and got them to sign my Mickey. Even Mr. Incredible, who normally uses a rubber stamp, signed him.
The idea itself really is novel, if not awkward, and I think it should provide a really good springboard for new )and hopefully less-expensive) autograph-related products. Let’s face it, we all (well, not me) do the autograph books and for most who manage to keep them around, they sit on the shelf for most of the time. Here we have a three-dimensional, tangible object that does its best work when it does the exact same thing and sits on a shelf.
So after two-and-a-half days and gathering a total of 61 autographs, I learned a few things that might help the next poor unfortunate soul who follows suit.
First, the fine-point sharpie (or even a ball-point pen) is a must. Especially when dealing with face characters who can be very nimble, particularly with signing in dwindling spaces and have intricate autographs. Characters with bigger hands didn’t seem to have as much an issue with the fine-point itself, but were challenged when it turns out the first sharpie I had was about to die. Which leads to the next tip:
Make sure the sharpie (or whatever) is in amazing shape. If it is, writing on the vinyl figure will be smooth and dark. You can use the bottom of the feet to test the autograph pen (unless you have other plans for his normally not-visible bottom).
There seemed to be an issue with touching him, particularly when signatures were fresh. They wouldn’t be immediately affected, but over time, areas that got touched a lot seemed to fade really fast and would sometimes smudge. For this reason (and the next), I recommend physically handling him as little as possible. When toting him around, don’t flaunt him, put him in a bag (or at least flaunt him in a clear bag).
People (and characters) will love him. Kids will become downright obsessed with him and won’t think twice about picking him up if he’s left vulnerable and checking him out.
A semi-tip: The eyes pictured on my Mickey were courtesy of Pluto. It seems you can get away with decorating the face a little bit as characters seemed hesitant to ‘tattoo’ it anyway (although the eyes made that situation even more clear) and still have room for autographs.
Bottom line, despite the imperfections that accumulated during the process, I’m proud of my Autograph Mickey and the slightly smudged memories that come with it.
WESH is reporting that two Disney Transportation buses collided this afternoon near the Contemporary Resort. They report eight to fourteen guests have been sent to Celebration Health for treatment but that all injuries appear to be minor. You can read their coverage here.
Also tweeting live from the scene was Disney Moms Panelist Erin Foster.
A big tip o’ the ears to our lovely friends at the Disney Report who have obtained and posted a very highly detailed blueprint of a long rumored upgrade to Fantasyland (now removed). Personally, I don’t take too much stock in rumors and I think I have a talent for knowing what’s likely and what’s not and while I would never believe anyone if they told me what this design foretells, it does have some key elements that I’ve been ‘aware’ of myself. Most notably the fact that something big was coming to the Magic Kingdom alas the upper crust felt the park was being neglected so they started to shift focus to it, that the Little Mermaid was coming to Magic Kingdom (reportedly one of the conditions of being able to bring it to Disney’s California Adventure was to be able to replicate it in the Magic Kingdom to reduce costs) and that it (and/or something big) was finally going over the huge plot of land that once was the 20,000 Leagues Under the Sea (and now hidden by lots of trees).
Several outlets reported today that the mother of Austin Wuennenberg, the Disney Monorail operator who was killed in a tragic collision on July 4, had filed a petition earlier in the week for a Pure Bill of Discovery. The petition, filed on behalf of Christine Wuennenberg, requested she have access to evidence that Disney may be in possession of in regards to the incident including video of the Monorails, audio communication and ‘black box’ data. Wuennenberg’s lawyers also requested access to the complete list of witnesses, employees involved in Monorail operation and logs of said employee’s whereabouts for months leading up to the crash. The petition cited a concern that evidence ‘may be destroyed, erased and/or altered.’ An alternate request to insure that Disney did not destroy any potential evidence was also made.
LAKE BUENA VISTA, Fla., July 13, 2009 — Uganda’s first white rhino born in 27 years has a family tree with Disney roots.
First-time mother Nande, a 10-year-old female white rhino born at Disney’s Animal Kingdom, gave birth June 24 to a healthy male calf at the Ziwa Sanctuary in Uganda after a 16-month gestation period.
After many trips to Walt Disney World contemplating the idea, I finally bit the bullet and invested into the Dining with an Imagineer program which takes place during lunch at the Hollywood Brown Derby. Offered only on Mondays, Wednesdays and Fridays, the program which costs $60.99 + tax and 18% gratuity per adult (bringing the per adult total to about $75) and $34.99 (or about $45 total) per child, brings the group (maximum of eight guests) face to face with a bonafide Disney Imagineer at Walt Disney World.
Booking proved to be a bit of a challenge as, if I recall correctly, the 90 + 10 didn’t work too well. After a few days of trying, however, I was able to secure my reservation. A credit card is required at time of booking (there is a 48 hour cancellation policy), but you are not charged. Instead, you are presented a bill at the end of the event as with any dining. For booking purposes, it also appears to help if the Cast Member starts looking at The Hollywood Brown Derby moreso than for the experience itself.