The Woman Upstairs
|Author: Claire Messud|
Brand: RANDOM HOUSE
Buy New: $3.95
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Sales Rank: 191,273
Format: Deckle Edge
Languages: English (Unknown), English (Original Language), English (Published)
Edition: First Edition
Number Of Items: 1
Shipping Weight (lbs): 1.1
Dimensions (in): 6.5 x 1 x 9.5
Publication Date: April 30, 2013
Availability: Usually ships in 1-2 business days
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From the New York Times best-selling author of The Emperor’s Children, a masterly new novel: the riveting confession of a woman awakened, transformed and betrayed by a desire for a world beyond her own.
Nora Eldridge, an elementary school teacher in Cambridge, Massachusetts, long ago compromised her dream to be a successful artist, mother and lover. She has instead become the “woman upstairs,” a reliable friend and neighbor always on the fringe of others’ achievements. Then into her life arrives the glamorous and cosmopolitan Shahids—her new student Reza Shahid, a child who enchants as if from a fairy tale, and his parents: Skandar, a dashing Lebanese professor who has come to Boston for a fellowship at Harvard, and Sirena, an effortlessly alluring Italian artist.
When Reza is attacked by schoolyard bullies, Nora is drawn deep into the complex world of the Shahid family; she finds herself falling in love with them, separately and together. Nora’s happiness explodes her boundaries, and she discovers in herself an unprecedented ferocity—one that puts her beliefs and her sense of self at stake.
Told with urgency, intimacy and piercing emotion, this brilliant novel of passion and artistic fulfillment explores the intensity, thrill—and the devastating cost—of embracing an authentic life.
An Amazon Best Book of the Month, May 2013: If this ferocious novel were to have a subtitle, it would be: No More Ms. Nice Guy. "How angry am I? You don’t want to know. Nobody wants to know about that," barks Nora Eldridge, our 42-year-old protagonist, an aesthete-wannabe who has slid into the bourgeois suburban life of a schoolteacher. Solipsistically lonely, Nora befriends--a polite term here for what is more like "stalks"--the artist-mother of one of her students; she also insinuates herself into the life of the woman's husband. That trouble will ensue is obvious to everyone but Nora, who for all her paranoia, is stunningly blind about using and being used. But in the end, maybe Nora doesn’t even care what she has suffered; at least, for once, she has lived, as she will continue to do in the minds of all of us who've read about her. --Sara Nelson
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