Moderated by Chris Hardwick (The Nerdist), the star-studded panel for Marvel’s The Avengers from Marvel Studios and Walt Disney Studios was arguably the highlight of the 2011 New York Comic-Con, which took place this past weekend. Taking place in the IGN Theatre, the approximately 2,000 seat hall was filled to capacity with a large standby line hours before the presentation. With many Avangers fans lining up when the doors opened to get in at 11 am, announcements began going out around 3 pm advising attendees that if they leave the room, they will not be able to return due to the demand.
Get ready to take an exciting look at ABC’s new series, “Once Upon a Time,” at New York Comic Con 2011, taking place on Friday, October 14 at Javits Center. On hand will be the show’s creators/executive producers, Edward Kitsis and Adam Horowitz, who will participate in a moderated Q&A panel and special autograph session. Below are the details:
New York Comic Con (NYCC) is proud to announce Marvel Studios, for the first time ever, will participate in this October’s NYCC. Marvel Studios will present a special event in NYCC’s IGN Theater – Presented by Sprint on Saturday, October 15th from 6:30-7:30 PM, a high-profile panel focused on the upcoming feature film Marvel’s The Avengers. Marvel Studios will debut never-before-seen footage from The Avengers, and panelists will include Kevin Feige (Producer), Chris Evans (Captain America), Tom Hiddleston (Loki), Clark Gregg (Agent Coulson), and Cobie Smulders (Agent Hill). The Avengers is scheduled for release on May 4th, 2012.
At New York Comic-Con’s TRON: Evolution panel held yesterday, the standing room only crowd was treated to what has to be some of the most incredible screenshots and video clips to ever grace the video screen. In short, the video game for the Sony PlayStation 3 and Microsoft Xbox 360 is every bit as beautiful eye candy as the film itself is and there’s small wonder for that as you’ll soon see why.
Junction Point creative director Warren Spector addressed the filled-to-capacity room yesterday evening by stating he had intended to make the panel mostly Q&A from the audience, but it wasn’t until eight minutes prior to the scheduled end of the panel that the questions even began (fortunately the panel was the last scheduled in the room for the day, so it went long as a result). Before that announcement, however, comics writer Peter David unofficially set the panel in motion by leading the entire room in a round of the Mickey Mouse Club March (which went surprisingly well I might add).
After showing the official Epic Mickey box art to a chorus of oohs and ahhs, Spector began talking about his own objective for the game. Job 1, he explained, was making Mickey Mouse a hero in the vein of Nintendo legends Mario and Link. Job 1.5, however, was to tell the tale of Oswald the Lucky Rabbit, the first true commercial success of Walt Disney’s while he was performing subcontracted work for Universal.
Spector then debuted the following featurette titled ‘The Tale of Oswald,’ featuring arguably some of the best footage (archival and gameplay) released to date:
Spector spent a great deal of time talking about how honored he felt bringing Oswald to the console screen — any screen — after more than 80 years. During the Q&A session, Spector also noted that since Epic Mickey is the first time Oswald ever had a voice of any kind, he bore and took delight in the responsibility of casting the individual who would henceforth be known as the voice of Oswald forever: Frank Welker. Assuming Job 1.5 pans out for Spector, he anticipates that Oswald will be launched into commercial success once more and repeatedly offered his hope for an Oswald plush.
TRON, Pirates of the Caribbean, the Muppets and Epic Mickey were the topics of discussion today during the Disney Publishing Worldwide panel at the 5th annual New York Comic-Con which kicked off today in New York City.
Briefly touching upon TRON, preview pages of the prequel graphic novel TRON: Betrayal and The Art of TRON: Legacy were shared. Since the titles themselves as well as many of the other TRON: Legacy titles (mostly geared towards tweens) were made available to browse through at the Disney Publishing Worldwide booth, there wasn’t much more needing to be mentioned on the topic.
The panel began with Tashana Williams, a licensing manager, discussing the importance of the fab five to Disney in the comics industry and the longstanding relationship with Gemstone Publishing who holds the rights to the property in the United States (much to the chagrin of many of the audience) and will continue to do so for the forseeable future. She mentioned Mickey and the Gang as the current (published Nov 2005) high end, oversized collection which features reprints of all of the Good Housekeeping comic strips from the 1940s through 60s along with additional collections. She mentioned that there are currently over 100,000 pages of fab five comics at their disposal so the ink well won’t run dry anytime soon. In the medium to long term, she said the company is working towards licensing the classic characters (such as the Disney princesses) in comic book form. (more…)
Chip Mosher, Michael Alan Nelson and Ross Richie headed this panel which covered the most recent and upcoming releases from BOOM! Studios. Editor-In-Chief Mark Waid was expected to appear as well but he was unable to make it, although he did send along a video message. (more…)
Fortunately, its recent economic turbulence didn’t keep Mattel away from the show where it presented several upcoming collectibles and toys including those from the Cars and Toy Story franchises. Here’s some of the items you can expect to see hitting your local toy store soon. (more…)
My Experience at the New York Comic Con 2009 on Friday
Just getting into the show proved to be one of the biggest challenges of the day. Despite passes being offered in advance as early as Wednesday, it seemed most waited until today and probably with good reason: the Jacob K. Javits Center is just too far out of the way for a casual visit (by mass transit, it requires a substantial ride by subway followed by a micro-substantial bus transfer – at least for me anyway). I arrived to an incredibly long and intimidating line (here I’m thinking Space Mountain, maybe even post-refurb). When I thought I was being offered some reprieve by security who started sending folks upstairs, starting with me, it turned out I was being sent to another full line. All in all it took probably about an hour to get my credentials, but I must say this show has grown a lot in terms of size and maturity and they handled it all very well. (more…)