In this day and age in which 3D scans of human faces are turned into exciting keepsakes such as the Disney/LucasFilm Star Wars Weekends experience ‘Carbon Freeze Me,’ in which guests could receive a replica of themselves frozen in carbonite a la Han Solo, and the upcoming ‘I Am A Princess,’ which builds on a previous test in which guests could have a princess doll in their likeness made, technology is becoming a key player in what has been even the most traditional of trades.
Now that Disney (NYSE:DIS) has finally gotten its ‘TV Everywhere’ initiative off the ground, as we first reported earlier this month — with even more networks such as ABC Family on the way, along with cable providers beyond Comcast — the focus now shifts to Disney’s extensive film collection.
An announcement made last week on Disney Movies Online has raised some eyebrows, causing some to ponder if DSAA/Keychest’s time has finally arrived. Certainly the changes coming to DMO on June 27 are worth the contemplation: accounts for those under 13 not permitted; accounts only for United States users; and a slew of films that won’t be available for viewing online for the foreseeable future.
Imagine walking into a room, running up to and hugging Donald Duck, turning to face an unmanned camera and walking out with a unique QR code stamped in your autograph book next to the ‘Donald Duck #1’ signature, referencing it later to not only access hi-res photos on your phone, but a fully edited video package of your character experience — and not a single Cast Member had a hand in the process.
With motion capture (MoCap) technology setups and video analytic software becoming more and more commonplace and more cost effective, it’s only a matter of time before their applications go beyond the norm of filmmaking and security.
When Disney’s Art of Animation Resort opens this summer, its guests will be one of the first to experience the driving force behind Walt Disney World’s NextGen project — the room key. Instead of the traditional card key readers that most hotels use, guests at Art of Animation will access their room via RFID. Although some vacation destinations (notably Great Wolf Lodge) have already embraced the magic of RFID for years and have even taken it far beyond the hotel room, this gesture is particularly noteworthy because it signals the start of what we’ve already known to be coming and it’s just the tiniest tip of the largest iceberg this universe has ever seen.
Pictured here is a diagram taken from a recent patent application for a new breed of carousel from Disney Enterprises. At first glance, you’ll notice some interesting deviations from what we’ve come to known as a carousel, standard fare for any amusement park, even parks such as the Magic Kingdom, Disneyland and Disney California Adventure.
What you may not notice at first, however — and it may not in fact be intentional in the drawing — is that the horses are backwards — at least for this side of the Atlantic. Traditionally speaking, American carousels travel in a counter-clockwise direction whereas European travel in a clockwise direction. So while you will generally see the horses face to the right at Disney theme parks (even at Disneyland Paris), these horses are facing the opposite direction.
Ingersoll Rand, a company that specializes in home efficiency and security with brands such as Club Car, Schlage, Thermo King and Trane, has announced it has an entered a partnership with Green Builder Media to bring its automation technology to the VISION House at Epcot’s Innoventions. The new exhibit, scheduled to open in April according to the announcement, will replace the House of Innoventions exhibit.
Making the announcement at the 2012 Consumer Electronics Show (CES), Ingersoll Rand says the new exhibit will feature products form Trane and Schlage offering heating/air conditioning and security features to the demo home.
At first glance, the type of attraction proposed in Disney’s patent application #20110312428, titled ‘Telescoping-Arm Round Ride for Amusement Parks,’ should look strongly familiar to anyone who’s ever visited a Disney theme park. Demonstrating with airplane-themed vehicles instead of elephants, this invention by Edward A. Nemeth and David W. Crawford has a couple of tricks up its sleeve.
Arguably a theme park will need a lot of available land, or an expansion of sorts, to implement the type of attraction demonstrated in the recently published patent application titled ‘Amusement Park Ride with Cable-Suspended Vehicles’ (patent application US 20110300957).
As demonstrated here by what appears to be some sort of cable-car themed vehicle cruising through the streets of a metropolis, the vehicle, as invented by David W. Crawford and Edward A. Nemeth, uses multiple cables to control various aspects and positions of the vehicle itself.
The Walt Disney Company is semi-quietly preparing to launch its much-hyped and talked-about ‘Disney Studios All Access’ (DSAA) offering which essentially allows fans who have purchased a Disney film to then access that film across all mediums and multiple devices, including on-demand streaming, at no additional cost — ever. The service was first teased in the guidebook for the 2011 Disney D23 Expo with not much more information than the service will be ‘coming soon.’ Late last week, a micro website with a teaser video (below) has been created to promote the new service which lists the following titles available at launch: Pirates of the Caribbean: Curse of the Black Pearl, Toy Story 3, TRON: Legacy, Prince of Persia: The Sands of Time, Tangled, Pirates of the Caribbean: At World’s End, Wall-E, UP, Alice in Wonderland, Snow Buddies, The Lion King, Disney’s A Christmas Carol, Enchanted, Secretariat, Cars 2, High School Musical 3.
If your visits to the Disney theme parks around the world leave you longing for the days of yore when your most favorite attraction ever was still around, or you feel the hankering to share those memories with your children who never were afforded the opportunity, your wishes may soon be answered, and that comes directly from Disney Parks Chair, Tom Staggs.